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In the days of the Aztecs, Día de Los Muertos was a festival celebrated the entire ninth month of the Aztec calendar, but when the Spaniards arrived in the New World and attempted to convert the indigenous people to Catholicism, the holiday was moved to a single day to coincide with the Catholic All Souls’ Day on November 2.

The Spaniards disliked the indigenous traditions and may have labeled them as barbaric and pagan, but Día de Los Muertos is not as scary – or sad – of a holiday as some think. This holiday actually has very sentimental roots. It’s all about celebrating life and honoring the dead.

In some places in Mexico there are parades, people decorate the gravesites of their deceased loved ones and construct altars in their homes with offerings, called ofrendas, for the souls of the dearly departed. Altars often include items like photographs of the deceased, items they may have owned, foods and beverages they may have liked, flowers and even sometimes a pillow and blankets for the souls to rest after their long journey.

Día de Los Muertos is one of the most beautiful and unique holidays in Mexican culture because everyone, young and old, shows their love and respect for the family members and friends that have passed away over the years. Celebrating their lives is also a reminder to the living to cherish their time on earth.

One of my favorite things to do in Mexico City is go to the tianguis, or open-air market. Part of the reason I love them so much is because they’re a vibrant reminder of what it means to truly be alive. I love everything about it: the arts and crafts for sale; the tinkling strains of melodies being played by street musicians; the food stalls with everything from jamoncillo (milk fudge) and dulce de calabaza cristalizada (dried candied pumpkin) to tacos de canasta (tacos in a basket).

On my first visit to the Bazar Sábado in Mexico City’s San Angel neighborhood several years ago I was delighted by all the makeshift stalls selling artisan crafts and every kind of sugary homemade treat I could imagine. Many of the stall owners off the Plaza Jacinto were offering generous samples to entice potential customers to buy a medio-kilo of this or a medio-kilo of that. One of the things that caught my eye at several of the stalls, though, was a hanging treat bag with brightly colored half-moon wafers that had pepitas sticking out of them and some kind of sticky miel holding them together. I was entranced.

“They’re pepitorias,” my suegra told me. She handed the stall owner a few coins with a smile and gently pulled a bag down from the clip from which it was hanging. As I took my first bite, it was both sweet and salty and I was definitely in love. Suddenly, I noticed the vibrant-colored obleas everywhere I went and I seem to have developed an internal radar for finding them ever since.

Earlier this year, I discovered one of my favorite Mexican grocers began carrying obleas in three different sizes and all the colors of the rainbow so of course I bought a package of each size. As candies and other treats are often given as ofrendas for Día de Los Muertos, I’ll be including pepitorias on my altar this year.

RECETA

PEPITORIAS

1 package of Obleas de harina de trigo (colored wheat wafers)
Pepitas or pumpkin seeds
Melaza (unsulfured molasses)

METHOD

Fold the wafer in half so that you have two half moons. They may crack completely and that’s just fine. It’s okay if they don’t crack evenly or if you have a few jagged edges.

Using your finger, the back of a very small spoon or a miniature pastry brush, dip your chosen tool into the molasses and lightly spread along the inner edge of one side of the wafer. I prefer to use my finger to feel the molasses and avoid using too much. If you use too much, your pepitorias will be drippy with molasses and will bleed through the wafer, making them very sticky. The key is to use just enough molasses so the seeds will stick but not so much that the seeds are able to shift easily. Once you’ve finished, place the pepitas or pumpkin seeds onto the molasses so they are stuck to the wafer and protruding halfway out.

Gently spread molasses on the inner edge of the other half of the wafer as well as a little in the center so the two pieces of wafer will stick together. Align the wafers so the molasses strip on the second half of the wafer fits snugly against the seeds and press gently in the middle to make sure the wafers are stuck together.

I vividly remember the first time I really tasted café de olla. It was a sunny summer morning in Mexico City’s upscale Polanco district and I was eating brunch with my then-boyfriend and his parents at a well-known restaurant (side note: I would later marry him). I say “really tasted” because I know that a few times earlier in my life I’d had some bastardized versions—God-knows-where in the Midwest—that just had cinnamon in it and were called “Mexican coffee,” or worse, actually passed off as café de olla by name on the menu.

In terms of food and beverage experiences, this first taste of real café de olla was a pivotal moment in the way that I viewed coffee. It suddenly became more than a morning caffeine fix, laced with milk and sugar. The restaurant, El Bajío, has become one of my all-time-favorite places and is known for its truly traditional Mexican fare. They serve their café de olla in a beautiful tiny earthenware mug that resembles a larger olla. If you’ve never seen one, an olla is a big lead-free clay pot that is glazed on the inside for cooking and typically painted with a folk art design on the outside.

El Bajío also introduced me to many traditional foods that I’d never eaten before and changed the way I felt about Mexican cooking. So, I suppose to say it changed my view of coffee is certainly an understatement. It introduced me to a host of new flavors and ideas; it made me want to learn to cook traditional Mexican food and toss out any Americanized recipe I’d ever made. It is for the above reasons that I chose café de olla as the first recipe to share here.

If you’ve not been to Mexico City, you likely haven’t heard of El Bajío. Founded in 1972 by Raúl Ramírez Degollado and Alfonso Hurtado Morellón, the restaurant is now run by Carmen “Titita” Ramírez Degollado, who took over when her husband passed away in the late 1970s. El Bajío has six locations: the original, Cuitláhuac, and five others. Of the many times I’ve had the pleasure to eat there, I’ve only ever visited the Polanco location but my husband has been to both the Cuitláhuac and Polanco dining rooms. Usually when we go to El Bajío with family, it’s to the one in Polanco.

To read more about the restaurant and to view their menu, you can visit El Bajío online.

When I returned to Chicago that summer, one of the first things I did was make the trip to a Mexican grocer in Pilsen to find piloncillo and start experimenting. Named for its cone shape, piloncillo is unrefined brown sugar, a result of the crystallization of two types of sugar cane. It’s also known as panela or panocha, though I wouldn’t walk into a store and ask for it using those names; you may get some strange looks due to the slang meanings.

Some people like to flavor their café de olla with whole cloves, aniseed or allspice. I did a bit of research and there are even some weirdos who put semi-sweet chocolate in their café de olla—guacala. (A Spanish expression reserved for a supreme form of icky.) Not me; I like to keep it pretty simple.

Now, every time I drink café de olla, I close my eyes with the first sip and remember the start of my journey into traditional Mexican cooking. I hope you’ll enjoy my recipe below, and please feel free to leave comments with your thoughts, fond memories of café de olla or what you do differently in your recipe.

TIP: If you don’t have an olla (and most people don’t have this traditional clay pot) you can steep the coffee directly in the saucepan and strain before serving. I often use a 32-ounce French press to avoid spilling while straining the loose coffee grounds and cinnamon sticks from an olla; the instructions below are for steeping with a French press. If you use a saucepan or an olla, it is best to use a fine mesh sieve over a serving carafe to filter out the coffee grounds and cinnamon sticks. If you don’t have a fine mesh sieve, you can use a regular-sized sieve with some cheesecloth to catch the grounds.

Café de olla

Yield: Yields 2 servings if you use big mugs or 4 servings if you use small coffee cups.

How to make authentic Mexican café de olla with a French press.

Ingredients

3 ¼ cups water
½ cup whole coffee beans
2-3 sticks of Mexican cinnamon
3-4 small cones of piloncillo (about 1 ounce each)
1 teaspoon unsulphured molasses (optional, but adds a nice depth)

Instructions

Boil the water in a medium saucepan. When the water is at a rolling boil, add the cinnamon sticks and piloncillo. Allow it to boil for a few minutes and then reduce to medium heat, stirring until the piloncillo is completely dissolved and you can smell the cinnamon.
Remove from heat and let it sit to steep the cinnamon for 3-5 minutes.
Grind the coffee beans to a medium-coarseness (make sure not to grind too fine or you’ll get sludge at the bottom of your cup). It’s important that the coffee is as freshly-ground as possible.
Remove the cinnamon sticks and reserve.
Pour the liquid mixture into the French press carafe. Pour coffee grounds over the liquid and push the press down just enough to fully wet the grounds, then pull up so the grounds are released and begin to steep. Allow it to steep for about 5 minutes.
Pour into a small coffee cup. If you’d like, add a cinnamon stick to your cup for a little extra cinnamon flavor.

https://theothersideofthetortilla.com/2009/08/cafe-de-olla/

How to make pepitorias

CAFÉ DE OLLA

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